A widowed writer begins to work on a biography of a novelist and artist—and soon uncovers bizarre parallels between her life and her subject’s—in this chilling and singularly strange novella by a contemporary master of horror and fantasy.

The narrator of Lisa Tuttle’s uncanny novella is a recent widow, a writer adrift. Not only has she lost her husband but her muse seems to have deserted her altogether. Her agent summons her to Edinburgh to discuss her next book. What will she tell him? At once the answer comes to her: she will write the biography of Helen Ralston, best known, if at all, as the subject of W.E. Logan’s much-reproduced painting Circe, and the inspiration for his classic children’s book, Hermine in Cloud-Land.

But Ralston was a novelist and artist in her own right, though her writing is no longer in print and her most radical painting, My Death, deemed too unsettling—malevolent even—to be shown in public. Over the months that follow, Ralston proves an astonishingly cooperative subject, even as her biographer uncovers eerie resonances between the older woman’s history and her own. Whose biography is she writing—really?

"The narrator of this creepy but feministically delicious novella, an early 21st-century novelist decides to write the biography of Helen Ralston, an all-but-forgotten 20th-century novelist she has long admired. In the late 1920s, Helen studied painting with W.E. Logan. Logan painted her as Circe, and Helen painted herself as an island titled My Death. When they parted for good, both turned to writing. Willy became famous; Helen did not. The narrator of My Death intends to do something about that. But first she must solve the mystery of Helen's relationship with Willy and why Helen titled her self-portrait My Death"--