Explores the divide between practical criticism and theory in 20th century criticism to propose a new way of reading poetry. This book considers such topics as rhyme, poetic voice and language.
All
too often, the history of poetry criticism in the 20th Century is told as a
tale of two sides. While 'Lit crit' pored over the author's every line,
'Theory' stood on the shoulder of texts to gaze into the metaphysical mists.
Drawing
on the key insights of both Lit crit and Theory, On Modern Poetry tries to get beyond the opposition
between them, proposing instead a 'total criticism' that draws on all resources
available.It combines 'analytic irony' with 'imaginative empathy' in order
to generate fresh insights.
The themes discussed in the first
part of the book include tradition, voice, rhyme, rhetoric, and objects,
bringing in critics such as Eliot, Heidegger, Empson, Blackmur, and De Man. The
second part examines texts by Tennyson, Symons, Hopkins, Larkin and Prynne.
An
original exploration of poetry and its criticism, On Modern Poetry is an essential guide for readers
and students at all levels.
Summing Up: Highly recommended. Upper-division undergraduates and above.
