Exploring the rage-murder phenomenon that has both plagued and baffled America for the last three decades, Going Postal offers provocative answers to the oft-asked question, "Why?"
American workers and children are rebelling violently all around us. By juxtaposing the historical place of rage in America with the social climate that has existed since the 1980s--when Reaganomics began to widen the gap between executive and average-worker earnings--Ames crafts a convincing argument that these schoolyard and office massacres can be seen as modern-day slave rebellions. He explores numerous fascinating and unexpected cases in detail, showing that as with slave rebellions, these massacres are doomed, gory, sometimes even inadvertently comic, and grossly misunderstood.
Taking up where Bowling for Columbine left off, this book seeks to set these murders in their proper context, thereby revealing their true meaning. Ames updates this edition with an eye toward recent events, including several new essays taking on the violent episodes at Northern Illinois and Virginia Tech universities, as well as workplace outrages like that in Alabama in March 2009. With the economy slumping and shooting rampages seemingly on the rise, Ames's wide-scoped explanations have never been more prudent.
"Through glimpses of each character's story the reader gains a humorous view of actual figures of ancient history as well as the gods they believed meddled in their lives. VERDICT A madcap tale reminiscent of the complex, riotous comedies Aristophanes wrote, the newest novel from Millar (The Good Fairies of New York) is complete with quirky characters, multiple perspectives, and romance and drama to boot. Recommended for Greek comedy or mythology fans who are open to some laughter with their classics."—Library Journal
Praise for Martin Millar
“Undeniably brilliant.” —Guardian
“The funniest writer in Britain today.” —GQ
“Martin Millar writes like Kurt Vonnegut might have written, if he’d been born fifty years later in a different country and hung around with entirely the wrong sort of people.” —Neil Gaiman
“Imagine Kurt Vonnegut reading Marvel Comics with The Clash thrashing in the background. For the deceptively simple poetry of the everyday, nobody does it better.” —List
“The master of urban angst.” —i-D Magazine
